These are the Moments, Chapter 1 & 2

We did it, everybody! We reached 2,000 followers on Twitter. And I wanted to do something special for everyone, to thank you for being a part of this crazy writing journey of mine. So today, drumroll please, I'm releasing the first 2,000 words of my novel, These are the Moments. Well, actually the first 2,489 words. That's right! You get a bonus. I figured that cutting the second chapter in half would be a little too cruel, and probably wouldn't make much sense, so there you are. The first two chapters. They're mostly edited, not professionally by anyone yet. I'm so excited for you to read it. Really. I'm biting my fingernails over here.

And without further adieu, These are the Moments, Chapters One and Two…. rhyming unintentional….

**For an easier read, here's the link to the PDF: These are the Moments

Chapter One

now 

He asked her to bring confetti. And maybe streamers. And could she please be ready for 11:11 sharp?

Owen didn’t sound nervous exactly. Wendy thought he sounded the way a puppy looked, all anxious and excited. Pick me, hold me, love me. In a way, this was the best thing he might ever do. Making Vivian an honest woman, and all that archaic ridiculousness. In another way, it was the lastthing he might ever do. In the metaphorical, death-to-single-life sense.

Vivian texted her at 9:52: “In the bathroom. Owen spilled two glasses of water. Called the 16 y-old waitress ‘ma’am.’ He’s proposing. Confirm or deny?”

Wendy, mid-checkout, replied: “Not at liberty to say.”

It was one of those rare summer nights, when the veil of sticky Louisiana heat lifted, the weight of humidity sitting up from her lungs. Wendy Lake drove to LSU campus, thinking about Vivian, thinking about Owen, trying not to think about anything else. She could picture them married. She just couldn’t picture them married right now.

10:36.

When you’re the best friend of the soon-to-be betrothed, you start to remember all kinds of nostalgic garbage. Most people think about the fuzzy stuff. Wendy thought about Vivian in all of her embarrassing, non-marriage material phases. Like that time that she mooned the basketball team in the sixth grade. Or that time she released a horde of lizards in Mr. Holling’s classroom.

Marriage is weird, she thought.

When she pulled into the parking spot, it felt strange to be back at school, at night, with no one around. Two years ago, she’d be at a bar. She would crash at a friend’s place and sleep until noon. She would drink beer, even though she hated it. And now? Now she was just a visitor.

10:47.

Reese and her boyfriend Ben draped the streamers from the oak trees on either side of the bell tower. He played on his phone while she strung the thin, wrinkling paper over the branches.

“Pass me the pink,” Reese said.

“Say please,” Ben said.

“Bite me.”

Wendy handed Reese the streamer.

“Thank you. Someone has manners,” Reese said cuttingly. Ben kept texting.

Wendy walked away, shaking her head. She was used to this.

10:56.

At night, the bell tower glowed under spotlights. It was creepy but beautiful, drawing it out from the otherwise deep, dark backdrop. Points to Owen for creativity. Negative points for mosquitos.

The three of them camped on the opposite side, waiting for the almost fiancés to make their appearance.

“Okay, so how are we supposed to just know when to jump out and throw this at her, again?” Reese asked.

Reese wasn’t holding the confetti. Ben held her share in his big, bear hands. She slumped on the stairs, fooling with her nose ring.

“Well, I assume it’s after the whole ‘Will you marry me/Yes’ part of the deal,” Ben answered.

“And if she doesn’t say yes?” Reese asked, just to have something to say.

No chance.

“I wish I had a cigarette,” Reese groaned.

“You don’t smoke,” Wendy said.

“Correction: I didn’t smoke.”

“Aren’t you a little old for new bad habits?”

“We’re twenty-four. You’re not old until you’re dead.”

Twenty-four. It sounded so adult. Just last week, Wendy had told someone that she was twenty-three. Not because she was lying. She just forgot.

“This is so dumb,” Ben breathed.

“What’s dumb?” Reese asked.

“This. Them.”

Reese rolled her shoulders back. “What, getting engaged?”

“That. Getting married before thirty. Just so dumb.”

That got Reese’s attention. “Thirty? You don’t want to get married until you’re thirty?”

“Maybe twenty-nine. Definitely not before twenty-eight. Twenty-four? That’s just crazy.”

“I know people who were married and parents years ago,” Reese countered.

“Jesus, don’t get me started on kids.”

That’s when Wendy noticed the cicada sound. A melodramatic buzz coming from the trees. It was always background noise until there was nothing better to listen to, until she wanted to un-listen to the conversation around her.

Reese kept talking. “Question. Do you want my eggs to dry up? That’s the risk you’re taking. An eggless wife.”

“Think your biology’s a little off there,” Ben said. “My point is that Owen and Vivian are too young. Think about it. I mean, really picture it. Owen? Married? Tell her I’m right, Wendy.”

They both looked to her.

If anyone had a good grasp on the credibility of this upcoming, most likely marriage, it was Wendy. Vivian had been her first friend, the small bobble-headed baby she met just a day after she was born. Wendy liked to think they knew what was best for each other. And, shock of all shocks, Owen seemed to fit that. Owen, who would always be the goofy kid on the bus.

Ten years ago.

That was hard to believe.

Wendy wanted to be positive, but she couldn’t help feeling that everyone around her was so panicked about getting older that they were rushing into “things adults are supposed to do.” It was as if everyone was just checking off to-do’s from a universal list. Job? Check. Girlfriend? Check. Proposal? Marriage? Check and check.

“I don’t know,” she said, meaning it, “It’s stupid, sure. But it’s not my life.”

11:01.

They heard Vivian’s laugh first.

Wendy peeked around the building. Owen’s stiff arms pushed his shoulders all the way up to his ears; but he looked nice and clean, his sable hair pushed to one side. Vivian, as always, looked perfect. She wore a white and gold, polka dot dress, her chopped blonde hair tucked behind her ears.

Wendy grabbed for Reese, pulling her up to see.

When your best friend is minutes from engagement, there are a number of appropriate responses. Crying. Clapping. Squealing. A range of reactions, a wave of emotions. What you don’t want to do, what you really try your best to avoid, is thinking what this means for you.

If Wendy started thinking about herself now, she’d have to think about him. And she never thought about him anymore.

“She looks gorgeous,” Reese whispered, cupping onto Wendy’s hand.

They were too far away to actually hear anything, but when Owen knelt down, a collective gasp sucked through their mouths. Vivian sniffled, but in the charming kind of way, as if it were clipped straight out of a bridal magazine. Owen’s hand shook as he slipped the ring onto her finger.

11:11.

Ok, everybody!” he shouted.

Wendy swallowed. This was it. This was that moment.

The three of them charged from behind the bell tower, throwing fistfuls of paper into the air.

Chapter Two

then 

Vivian was gone. She didn’t say goodbye, because she wasn’t good with sad or sappy, so instead she’d given Wendy a wave from the backseat and a text that said, “See ya later.”

Wendy moped, and when she moped, she devoted her entire being to it. She didn’t let her mom take her shopping for school supplies. She wouldn’t try on her new uniforms. She found that sitting around feeling sorry for herself suited her much better, thank you very much.

“You should take a trip,” Mom had said.

“A trip?” Wendy mumbled, zombie-like from her throne of wallowing. She was an A+ wallower.

“Yeah,” Mom said, sliding the flyer into Wendy’s lap, “A trip.”

For Wendy, vacations meant beaches with white sand. Maybe a book and a virgin margarita. This flyer read, “ANNUAL CATHOLIC CHARISMATIC RETREAT.” It sounded like a spa or a rehab or something. Like Mom was trying to send her away to get all whole and healed.

“This isn’t a trip, Mom. This is therapy.”

Yet there she was, sitting on a bus, shivering under a blast of cold air and hating everything. Well, not everything. She liked the t-shirts all the other kids wore, the ones that said, “God Kid” and “Jesus Saves.” She especially liked the one the girl with the bright orange - yes, orange - hair had. It read: “Mary is My Homegirl.”

Wendy liked the laughing, the way that people went out of their way to say hello to her, and she liked that she was leaving home. She’d never done the summer camp thing. She’d never even spent a weekend away from home. It made her feel like she was grabbing onto high school with both hands and giving it a good kick in the stomach.

Really, the only thing she didn’t like about this whole situation was the fact that she liked it at all.

“Anyone sitting here?”

The girl with the bright orange braid didn’t wait for an answer. She plopped down beside Wendy, smacking gum in her face. She didn’t wear a speck of makeup, but she looked fresh and unnaturally awake for 7 am.

“Reese Weller,” the girl said, tucking her bag beneath the seat, “This your first retreat?”

“Yeah, you?” Wendy asked.

“Second. It’s awesome; you’ll love it,” she pointed at Wendy, “Homeschooled?”

This was a theme. Homeschooled = religious.

“No. I’m headed to St. Stephen’s in the fall.”

The girl’s eyes bugged open. “Me too. I’ve never been to Catholic school before. Mom’s kind of freaked by my whole God deal now. She’s a hippie. I think she’s coming around to it, though. She says that I’m religious in the cool, doesn’t-make-you-want-to-puke kind of way.”

“Good to know,” Wendy said.

Wendy and God were cool. He was like a favorite pillow, that place she could lay down her thoughts at night. God was God. She didn’t question that.

“I’m Wendy Lake.”

Reese nodded. “Come on. I’ll go introduce you to everybody.”

At the front of the bus, a small group huddled over the aisle. All of them shouting, ignoring the shushing of chaperones.

“CHEATER!” someone yelled.

Are you kidding? That was pure skill.”

“Skill? You’re crazy.”

Reese draped herself over the seat on the edge of the group. “What are y’all doing?”

“Thumb wrestling competition,” the nearest girl answered.

“THE SCORES ARE AS FOLLOWS,” the boy standing before the group bellowed. He wore a crumpled flannel button-down over a gray t-shirt, his hair a streak of jet black across his forehead. “Simon’s in the lead with six wins, I am rivaling with a close four, and girls you are irrelevant.”

“That’s mean,” a blonde girl with big, beady eyes whined.

Nevertheless,” said the leader. He looked up, saw Wendy and paused. Lifting his eyebrows, he said, “Looks like we have some fresh meat. Fresh thumbs, if you will. What’s your name, Freckle Girl?”

Wendy pointed at herself. He nodded. “Wendy Lake.”

“Miss Wendy Lake, what’s your thumb wrestling experience level?”

Everybody looked to her, including a blonde boy situated between two girls in a nearby row. He was the only one who stared directly into her eyes. Completely unapologetic. Staggeringly serious.

“I’d say fairly below average,” she answered.

“Excellent. That’s what we like to hear.”

The leader, Owen Landry, paired Wendy with the irrelevant blonde girl. She smiled at Wendy with half of her face, her dry lips breaking, releasing tiny droplets of blood.

“Ok, Freckle Girl versus Blondie. Freckle Girl, should you win, you will advance through the bracket. Blondie, should you lose, well, you’re still irrelevant.”

The serious boy interjected, “Ok, Owen, enough speech-making. Girls. Ready?”

Irrelevant girl/Blondie cupped her hand through Wendy’s, digging her nails into the skin just slightly. The serious boy counted them off.

Blondie used her thumb like a noodle, throwing it around spastically, right, left, circles. Wendy jabbed. Blondie dodged. Wendy jabbed again. Blondie did that thing girls like to do, where they squeal and yelp, because they think it’s cute, because they think boys like it. Wendy rolled her eyes.

“Stop being a coward, Blondie,” Owen said.

Beating Blondie didn’t take long. Eventually, her thumb cramped from all the flailing, and Wendy pinned her with the ease of cracking a knuckle.

“Nice work, Freckle Girl. You advance. Reese?” Owen said, applauding.

“I’m more of an observer, thanks,” Reese said.

Owen rolled his eyes and called her a fascist. He recovered quickly, pairing Wendy with the other girl sitting beside the blonde boy. This girl, called Redhead, switched seats with Blondie. The serious boy, unfazed by the switch, chatted up Blondie, who tossed her hair and hyena-laughed at his every word.

Unbelievable, Wendy thought.

Redhead didn’t flail so much as she evaded, overusing the Rabbit Hole trick, and racking up penalties. She winced through the whole game and said things like oh, close one and near miss, as if this were a serious competition.

After the fifth penalty, Owen said, “Okay, enough. Redhead, you’re disqualified. Simon, you’re up.”

“How am I already up?” the serious boy said, propping himself up on the seat, “Shouldn’t she play you first?”

“Are you questioning the bracket? Need me to walk you through it?” Owen asked.

Simon didn’t take very well to this. On the one hand, it looked like he didn’t enjoy being called out, didn’t like to be wrong. On the other, Wendy doubted he would back down from a fight.

Simon shrugged. “Well, she’s going to lose anyway. Might as well be to a professional.”

He talked about Wendy like she wasn’t sitting right across from him.

Now that he was in front of her, Wendy noticed all of the little things about him. Like when he smiled, his ears lifted a little. And she could read his tee-shirt now: St. Francis Raiders. St. Francis. The boys’ high school. But what she noticed the most, what she actively told herself to not look at, were how deep his eyes were up-close. The hooded blue of them bore into her, from behind layers and layers of eyes. It was beautiful. And unnerving.

“You look young,” he said, leaning into her, “How old are you? Freshman.”

It wasn’t a question. “Yeah, I guess.”

“You guess that you’re young or you guess that you’re a freshman?”

She sat up, totally straight, as if this would give her some advantage. “I’ll be a freshman this fall.”

“Didn’t exactly answer the question, but okay,” he said, smiling, “Man. You’re just a baby.”

“I’m fourteen. I’m not a baby.” Wendy narrowed her eyes at him. She could sense everyone looking.

“Sure you are.”

She folded her arms, glaring. “How old are you?

“Almost sixteen.”

Owen cut them off before Wendy could get a good laugh in Simon’s face. “Okay, enough enough enough. Quit babbling and start battling. Ready, set, go!” 

Wendy didn’t consider herself a competitive person. But she couldn’t help but want to humiliate this boy in front of her. To be the one to knock that arrogant smile right off of his face. To make him say, “Hmm. I underestimated you.” Because he had. He really had.

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How to Make Time to Write

Dear reader,

My name is Jenny Bravo. I'm twenty-three. My daily life consists of eight-hour work days, cooking, working out and writing. this. book. And you know what? That's about it.

Disclaimer: I can't  complain. Why? Because I don't have children to feed or a husband to talk to or soccer practice or parent teacher conferences or any of those things. I have me. And somehow, I still have to work hard to make time to write. Goodness, how do you moms do it?

Here's the thing, though: being an adult requires practicality, and writing/singing/art in general is the least practical, most important thing that we can do. If you're lucky enough to write full time, then you are amazing. Bravo, you! (Not that more time makes writing any less difficult. Because, it doesn't.)

If you're like me, and have a limited window of writing time, then we need strategy. We need to prioritize, organize, plan, plot. Basically, we have to TOTALLY go against our nature to make time to write. Sounds fun, right? Let's get started.

Take advantage of every spare moment.

We're creative. It comes with the territory. So, we need to get creative with our time. Maybe you're a morning person (more power to you). Try waking up thirty minutes early, fifteen even. Then write as much as you can in that set time.

Maybe you're a night person. Put yourself to bed thirty minutes early. Write for thirty minutes until you fall asleep. ADVANCED MOVE: Write on your lunch break. This is my newest strategy. With an hour for lunch, I could knock out about 2,000 words. Try this, once or twice a week. Let me know if it works for you!

Word Sprint.

With time restraints, we can't afford writer's block. We don't have the luxury of fumbling around until we find the words. WE NEED WORDS, NOW! Did that sound authoritative? Good. Word sprints are every writer's best kept secret. Set a timer: 30 minutes? 15? Even 10! Then get writing.

As many words as possible without editing, without stopping. You'll be AMAZED at how this unlocks all the words you've been hoarding. I can write about 1,000 words in thirty minutes. If I do that three times a day, imagine the possibility! (NOTE: I do not do this three times a day. Yet.)

Hide your phone, hide your TV.

I'll admit it. After work, I just want to lounge around and not use my brain. But there comes a point where my book is calling and I have to answer it, of course. But I want to talk to my friends on Twitter. And I want to see all those cute coffee pins on Pinterest. And I need to blog. And and and…. the excuses keep on coming.

Are you sitting down? I'm about to lay some serious knowledge on you. READY? Do you know how much writing you can get done, simply by writing? I know. Mind-boggling. Sometimes, when I have my phone in my hand and I'm watching some stupid reality show and I have my WIP up on my screen, I have the audacity to say, "Yeah. I'm writing." NO. Give your writing your full attention. Make time to write, and write only. Just for a small portion of your day. Watch how much you'll get done!

Take Home Work: Read six strategies here, read seventeen ways here and read this hilarious post here.

DISCUSSION TOPIC: Okay, these ideas are great for writing. You will see results and words this way. But how about editing? groans groans groans. How do we make time to edit? Comment below. Let's get the ideas in motion!

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Make Your Own Novel Soundtrack

I'm a music writer. I need melody and words and beats to make good words. (I don't actually make words. Just so we're clear.)

I touched on this whole music/writing spiel back in February, when I wrote about what songs I listen to when writing action scenes. This post is going to be a little different. Playlists are a great tool to evoke emotion when you're writing. But I'll do you one better. When you make your own novel soundtrack, you not only have a great writing tool, but an exercise in theme, characterization and plot. 

OKAY. So let's talk about how to make your novel soundtrack. How do you know what songs to pick? Which ones make the cut?

PICK SONGS FOR LYRICS. 

This is my main reason for my song choices. For instance, when I listen to "The One I Love" by Greg Laswell, I can hear my character Simon saying those words. Sometimes, lyrics remind me of a place in the book or a theme that runs through it. Try these tricks:

  1. Pick based on lyrics that represent your characters' voicesBonus? Create a playlist for each character.
  2. Pick based on lyrics that honor a theme in your book. For example, loneliness or coming-of-age.
  3. Pick based on lyrics that reflect your setting. If you're writing a story based in Ireland, try listening to some songs by Irish artists.

PICK A RANGE OF SONGS. 

I like to vary my song choice. Some songs are more upbeat, while others are mellow and moody. Arrange songs in a way that mirrors the rise and fall of your story. Essentially, you're making your own little plot line. Here's an example for you:

"The Rain" is an upbeat song, but foreshadows some relationship problems. The next song, "over you" is the aftermath of that, and slows the story down. "Heartbreak World" compliments this new shift.

PICK SONGS FOR THE MUSIC. 

Music makes you feel things, just like words do. Sometimes, I choose songs just because they musical arrangement mimics the  feel of the book. Most of my songs are because of the music/lyric combination, but I love the sound of "Let's Be Still" by The Head and The Heart.

PICK YOUR SOUNDTRACK.

I put together my playlist in Spotify, which I recommend. Another amazing resource is 8tracks. Share your soundtrack with your followers, and share it on your blog. It's important to give your readers something to connect with, something to draw them even further into your story, especially when they're still waiting for it to be published. You can learn more about my novel here.

Okay, without further ado, here's my novel soundtrack. There's also a link to my Spotify playlist, if you happen to be a user!

THESE ARE THE MOMENTS SOUNDTRACK

1. This is Your Life by Switchfoot  2. Dead Hearts by Stars 3. Heartbreak Warfare by John Mayer 4. The Rain by Benji Davis Project 5. Over You (feat. A Great Big World) by Ingrid Michaelson 6. Heartbreak World by Matt Nathanson 7. All We Ever Do is Say Goodbye by John Mayer 8. Missing You by Tyler Hilton 9. Gravity by Sara Bareilles 10. Sugar, We're Goin Down by Fall Out Boy 11. Dragging You Around (feat. Sia) by Greg Laswell 12. Wish You Were Here by Incubus 13. When It Rains by Paramore 14. Hearts Like Ours by The Naked And Famous 15. Let's Be Still by The Head And The Heart 16. Breathe by Taylor Swift, Colbie Caillat 17. Hometown Glory by Adele 18. Who I Am Hates Who I've Been by Relient K 19. Something Beautiful by NEEDTOBREATHE 20. Stars by Grace Potter & The Nocturnals 21. Amnesia by 5 Seconds of Summer 22. The Last Time by Taylor Swift, Gary Lightbody 23. The One I Love by Greg Laswell 24. High by Young Rising Sons 25. Scene Four - Don't You Ever Forget About Me by Sleeping With Sirens 26. It All Starts Now by Foreign Slippers

Discussion Time: What would be on your novel soundtrack? Comment below! 

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Traditional vs. Self Publishing

Ever since I decided to self publish These are the Moments, I've gotten a lot of questions. Mainly, what's self-publishing and okay, so how does it work and when are you going to finish your book, because frankly, that's a universal question that JUST NEVER GETS OLD. (P.S. I'm getting more creative with my answers to that last one. Like, when tap dancing space cows descend from the moon.)

So why self publishing? Or why traditional publishing? Traditional vs. self publishing is the big question these days, with self publishing on the rise. Before we dive in, here's the most important thing to remember: each and every book has a unique calling, and it's your job to figure it out. There is no "right" or "wrong" way. Publishing is what you make of it.

A Brief Glimpse into My Publishing Journey (which has barely started)

My first manuscript — still unedited, waiting to be picked up again — was a middle grade science fiction/fantasy. I could see the whole thing in my head: writing the query letter, including the words "with series potential," landing an agent, selling the book to a publishing house.

I bought the books about how to write a query letter and the ones that list all of the literary agents and what they look for. I was so excited for this process that I could practically watch it like a movie in my head.

When I moved on to my second novel, I found that it wanted to talk right to the reader. For whatever reason, this book was as stubborn as the characters in it. These are the Moments wanted me to take full responsibility for it; should it fail or succeed, I would be the one to handle it all. For me, this is exciting. This makes sense.

Traditional vs. Self Publishing

There are a few key factors to consider when you're choosing your publishing route. Are you an entrepreneur? Are you a marketer? Do you like to work on teams? Do you want to see your book on the shelf? Do you like the idea of distribution? Okay. Got your answers? Good.

Writing is a business. 

Whatever you choose, once the creative, peace love book phase is over, and you're holding an edited, pre-published baby, you gotta sell that ish. For traditional publishing, you've got some obstacles.

First, you have to query. Then your new agent friend helps you sell it to a publisher. Then you get an editor friend and a whole bunch of people. Then, they help you sell it to the world WHICH IS AWESOME. In self publishing, you've got to be all of these people. You are your own little friend. Oh, and readers. LOVE YOUR READERS.

Things to think about: Do you want to a have a team? Great! Just remember, that team gets a big say. A team also means less money. A team means answering to people. Do you want to work on your own? Cool! Just remember you need to reach out to freelance editors, cover designers, formatters, etc. Remember you have to put in 1,000 percent. You don't get to sleep.

It's all about the details. 

With self-publishing, you've got to be everywhere and everything at once. Say you've got the whole platform and cover designer and formatting thing down. Say you get your book out there. Then what? MARKET, MAN. I cannot stress enough how important social media/marketing is for writers.

Even in the traditional world, writers are now expected to support themselves on the web. In fact, a social media presence can even help you get published. Think strategy, people. Blogs. Social media accounts. Twitter accounts for your main characters. Freebie short stories to get an audience before the book.

Things to think about: Can you see yourself as a marketing cog? If not, traditional might be the best choice. Remember, either way, you'll need to self-promote.

What's your poison? Risk-wise? 

The thing about writing/publishing is that there's always a risk. (Insert groans of discouragement here.) For traditional publishing, there are levels of risk.

  1.  You might not get an agent. Solution? Write another book. Keep querying. Get a freelance editor.
  2. You might not get a publisher. Solution? Ask your agent. Write another book.
  3. Your book might not sell. This one's a tough blow. Solution? Write another book. Hope like hell that they don't drop you.

In self-publishing, the risk is simple. Your book might not sell. Maybe, you suck at being a one-man team. Maybe, your writing is terrible. Maybe, if you want to move to traditional, no one takes you. Solution? Write. Another. Book. Keep writing until your fingers fall off. Wait, what?

OKAY. What a meaty post this week, huh? P.S. I hate the word meaty. Traditional vs. self publishing is a big choice. Monumental. HUGE. (got that?) No one can tell you what the right choice is. So instead, do the research. Read this post and this one and maybe this one if you're an overachiever.

What do you think? Traditional or self publishing? Leave your comments below! For more writing tips, subscribe to the newsletter. 

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How to Write What You Want

Yesterday on Twitter, I asked friends/followers/random passersby to email me their questions. Publishing questions. Writing questions. Cat questions. Shannon-Rachel Dixon was kind enough to send me this email: I'm currently writing book one in a reverse trilogy, the genre being a psychological thriller. My question is, do you think it's harder to get a trilogy published for your first time, than just a single novel? First of all, this book series sounds awesome. Second of all, LET ME JUST BASK IN THE AWESOMENESS OF THIS QUESTION. 

I did a little research, and I've come up with two possible answers. Hopefully, this helps you in some way!

The "Literarily Correct" Answer

(Were you aware that literarily is a real word?) Okay. My first instinct was Write your trilogy! Give it to the world! Get that movie deal! Then I calmed down and realized that wasn't going to help you at all. The first article I came across was from Rachelle Gardner, which advises writers to pitch a single book. 

The gist: Writing is a business. If you make money, you get a career. If you not… I consulted Writer's Digest too. (Okay, we didn't really consult because they don't know I exist. Just throwing that out there.) The gist: tread with caution. If the first one works, chances are the second and third are a shoe-in.

Okay, did you get all that? My work here is done. Just kidding. Here's my advice: WRITE WHAT YOU WANT. That's how people sell books. They write the fringe stories, the stories people tell them will never make it, and then they hit it big. Is that what we write for? No. We write for the satisfaction of telling the stories we want. 99% of the time, our gut feeling doesn't lie. (Made-up statistic.)

Write what you want, but market smart. You want to write a trilogy? Hooray! However, you should write your first book as a stand-alone. Leave it open-ended. Plant the seeds for more books, outline and such, but let it be okay on its own. Query as an individual, then let your agent know that you're working on more books. Should the first sell, the second has a much better chance.

Alternate Options

As a soon-to-be self-publisher, I know about the CRAZY COOL opportunities there are for trilogies in that sphere. Serializing is an amazing opportunity to get readership, either on your blog or on websites such as Wattpad. Even if it's just the first few chapters! Publishing just a chapter or a scene a week can really build that awesome fan base you want. The more you write, the more successful you'll be. That's the name of the self-publishing game.

I hope that answered your question, Shannon! If anyone has any more suggestions, please comment below.

To ask your own question, email blotsandplots@gmail.com! Be sure to sign up for the newsletter for additional opportunities.

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